Projects Supported by Horizon

Showpieces, in depth case studies, featured cinematographers, directors, and local production companies found here.

a Southern Bank desk and employee are situated in the cereal aisle of a grocery store. Shot on ARRI ALEXA Mini S35 with Cooke S4/I Mini cinema primes available to hire from Horizon Cine Glass in St. Louis, MO

Southern Bank

Cinematographer: Chris Olson | Director: Josh Pfaff | Production Company: Locke & Stache

a nice fluffy dog stares at the camera with a tennis ball in its mouth. Shot on ARRI Alexa Mini S35 camera system with Leica Summicron-C cinema primes available to rent at Horizon Cine Glass in St. Louis.

a nice fluffy dog stares at the camera with a tennis ball in its mouth. Shot on ARRI Alexa Mini S35 camera system with Leica Summicron-C cinema primes available to rent at Horizon Cine Glass in St. Louis.

Purina – Dentalife

Cinematographer: Mike Dalton | Director: Joce Cooper | Production Company: Townsend Hurst

a young man travels down the tube of memory to his grandmother's house. Shot on RED DSMC2 Gemini camera system with Angenieux EZ Zoom lenses from Horizon in STL.

a young man travels down the tube of memory to his grandmother's house. Shot on RED DSMC2 Gemini camera system with Angenieux EZ Zoom lenses from Horizon in STL.

Lion’s Choice

Cinematographer: James McKenzie | Director: Dustie Carter | Production Company: Bruton Stroube Studios

player in dramatically-lit stadium approaches the basket to dunk. Shot on RED DSMC3 Komodo 6K with Laowa 7.5mm Zero-D prime cinema lens from Horizon in Saint Louis

player in dramatically-lit stadium approaches the basket to dunk. Shot on RED DSMC3 Komodo 6K with Laowa 7.5mm Zero-D prime cinema lens from Horizon in Saint Louis

SLU Basketball

Cinematographer: Adrian Petrosian | Director: Brian Cummings | Production Company: Ryval

A woman holding a book stares off camera in anticipation. Filmed on Arri Alexa Mini LF with Cooke Anamorphic/I FF SF 1.8x anamorphic lenses available for hire at Horizon Cine Glass in St. Louis, MO

A woman holding a book stares off camera in anticipation. Filmed on Arri Alexa Mini LF with Cooke Anamorphic/I FF SF 1.8x anamorphic lenses available for hire at Horizon Cine Glass in St. Louis, MO

Energizer x Stranger Things

Cinematographer: Adrian Petrosian | Director: Brian Cummings | Production Company: Ryval

A seasoned steak hits the grill as flames leap up in the background. Filmed on Freefly Systems Ember S5K high speed cinema camera system, P+S Technik Skater Scope, Cooke Panchro/I Classic primes and Laowa Pro2be probe lenses available for hire at Horizon Cine Glass in St. Louis

A seasoned steak hits the grill as flames leap up in the background. Filmed on Freefly Systems Ember S5K high speed cinema camera system, P+S Technik Skater Scope, Cooke Panchro/I Classic primes and Laowa Pro2be probe lenses available for hire at Horizon Cine Glass in St. Louis

Dan-Os Preemo Seasoning

Cinematographer: James McKenzie | Director: Dustie Carter | Production Company: Bruton Stroube Studios

Celebration dance number finale in school hallway with confetti. Filmed on RED V-Raptor camera with Lensworks Type SK Prime lenses rented from Horizon in St. Louis

Celebration dance number finale in school hallway with confetti. Filmed on RED V-Raptor camera with Lensworks Type SK Prime lenses rented from Horizon in St. Louis

Microsoft – Back To School

Cinematographer: Stephen Greathouse | Director: Kurt Simpson | Production Company: The Shop

Entrance to Yellowstone Park with dramatic sky filmed with RED Komodo camera and Leica Summicron-C cinema prime lenses rented from Horizon in St. Louis

Entrance to Yellowstone Park with dramatic sky filmed with RED Komodo camera and Leica Summicron-C cinema prime lenses rented from Horizon in St. Louis

Yellowstone Bourbon For All

Cinematographer: Kyle Krupinski | Director: Nate Townsend | Production Company: Townsend Hurst

Bow hunter draws in sunshine with lens flare filmed on ARRI Alexa Mini LF with Lensworks Type SK prime lenses rented from Horizon in St. Louis

Bow hunter draws in sunshine with lens flare filmed on ARRI Alexa Mini LF with Lensworks Type SK prime lenses rented from Horizon in St. Louis

Dos Primos Field Journals

Cinematographer: Kyle Krupinski | Director: Nate Townsend | Production Company: Townsend Hurst

Serial Straighteners

Cinematographer: James McKenzie | Director: Tim Wilson | Production Company: Bruton Stroube Studios